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And so, it felt like the perfect opportunity,” Steinfeld recalls. I was so blown away by the first two scripts of the first season that I read and I wanted to be a part of this show in more ways than one. “With ‘Dickinson,’ there was an element of being a part of getting this thing off the ground and helping develop it. It also came with a star on the rise in actor and executive producer Hailee Steinfeld, who had broken out in “True Grit” and went onto films including “Pitch Perfect 2,” “Pitch Perfect 3” and “Bumblebee.”
Its home was new, but the show came with the pedigree of strong behind-the-scenes TV talent in Smith, who had previously working “The Newsroom” and “The Affair,” as well as writer and executive producer Darlene Hunt (“90210,” “The Big C”) and companies Anonymous Content and Paul Lee’s Wiip.
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1, 2019, as one of the few shows to launch with the Apple TV Plus service. “Dickinson,” which begins its third and final season Nov. Inspired by her love of Dickinson’s work, Smith wanted to “bust open this myth of Emily as a depressive, shy, anemic person and to say, ‘No, this was a woman with a great sense of humor and a ton of passion and fire, who - really even within the limitations imposed upon her by her very conservative society - carved out the agency that it took to make one of the greatest bodies of work that has ever been written in the English language.” Smith’s vision was always to “reframe and reimagine the origin story of America’s greatest female poet,” which she did by diving more deeply into her personal life - from her family to her sexuality.